my apologies, im genuinely interested in sample tricks. im sorry i cant resist: just turn the tempo of your mid 90s midi software up and use your sample cell card or soundfont player for tight integration... there were certainly software samplers out then as well. or use one of many trackers availab...
alien_brain - In the Squarepusher tune, I'd say the long roll that goes from 1:03 to 1:05 is made by automating the Loop Start position. hmm well what i hear is re-triggering. but even if you were trying to recreate that sort of vibe through manipulating a sample loop point, wouldnt it be the loop ...
SC has 32 parameters that are mappable to any cc (auto00 to auto31) ok i thought i knew what you wanted there but now that i hear an example i think hes either using a midi drum pad and some sticks (its entirely possible lol) or some akai note repeat device, since with their pressure sensitive pads ...
well i find short circuit very straightforward and easy when it comes to this particular capability. i find it as easy if not more easy than writing out something in renoise and then throwing an interpolation on sample start, only with a thousand other goodies thrown in. but to each their own. i am ...
afraid not... take a look at an ipad if ' glitch breaks ' ($4.99) [youtube]http://www.youtube.com/watch?v=m90Os4LKJbw[/youtube] [youtube]http://www.youtube.com/watch?v=S_L9XCdPN54[/youtube] or ' samplr ' ($4.99) [youtube]http://www.youtube.com/watch?v=dJE-k_VeId4[/youtube] is what you want. or pick ...
i havent owned geist for that long, and so far i have used it for standard amen cutting up duties, so to me that sound doesnt really need saturation so no, i would say im not using it as much as other plugins i have owned for a while. saturation is relatively similar across the board so its as good ...
ill use a saturation style effect on the drum buss if the sound isnt already saturated enough. sometimes ill pair the saturated signal with the dry signal (parallel style) in order to get the desired saturation characteristics while maintaining the clarity of the dry signal. to be honest, im not sur...
that by the way is good advice: turn it down. if you want presence there are ways to get it without clipping the mix. i say parallel processing is my favorite method of mixing. try it out! i always like to build outward to a mix's requirements if possible. subtractive eq is a good helper in that van...
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